Month: September 2022

Brian Bernards (University of Southern California) Putting into productive dialogue theories of intermediality (Bolter and Grusin’s Remediation, Evans’s Transmedia Television, Jenkins’s Convergence Culture) and inter-Asian

Liew Kai Khiun (Nanyang Technological University) and Pei Hua Paige Tan (Nanyang Technological University) Through digital content shared on social media networks in sustaining and

Dorothy Wai Sim Lau (Hong Kong Baptist University) This essay examines the intermedial process of East-Asian star construction in the backdrop of the convergence of

Lawrence Zi-Qiao Yang (University of California, Berkeley) Yao-chi Chen’s documentary Liu Pi-chia (1967) has long been hailed as the first cinéma vérité, or truthful cinema,

Thiti Jamkajornkeiat (University of California, Berkeley) This study reopens the Chinese question in Indonesia that has been dominantly framed by the colonial, ethno-nationalist, and de-Sinicizing

Rolando B. Tolentino (University of the Philippines) The focus of attention in the flourishing of Philippine independent movement since 2005 has centered mainly on the

Yuka Hasegawa (International Christian University) This paper studies the Japanese television drama Boku tachi no Sensō “Our War” (2006) and the animated drama Kimi no

Christopher B. Patterson (Hong Kong Baptist University) This presentation treats the documentaries Sunday Beauty Queen (2017) and The Helper (2017) to explore how domestic workers

Song Hwee Lim (CUHK)     Song Hwee Lim is Professor of Cultural Studies in the Department of Cultural and Religious Studies at the Chinese

Jihoon Kim (Chung-Ang University) This paper discusses two theatrical performances by Tsai Ming-liang and Apichatpong Weerasethakul in terms of the intermedial correlations of cinema and